Scored for symphony orchestra (1942) dedicated to Gustavo Capanema. The music imitates bird song: "La! liá! liá! liá! liá! liá!" "Sing more", the words say, "to remember Cariri" ("Canta mais! canta mais! prá alembrá o Cariri!"). The lyrics contain a list of species of birds: ben-te-vi ( Pitangus sulphuratus), sabiá ( Turdus fumigatus), juriti ( Leptotila rufaxilla), irerê ( Dendrocygna viduata), patativa ( Sporophila leucoptera), cambaxirra ( Odontorchilus cinereus). It is a poem of nostalgia ( saudade) for the birds of the Cariri Mountains, in the state of Ceará. The musical form is embolada, a rapid poem/song of the Brazilian Northeast.
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According to one opinion, the third movement was later transcribed for piano, and the others for cello and piano. Most of the movements in each suite have two titles: one "Bachian" (Preludio, Fuga, etc.), the other Brazilian (Embolada, O canto da nossa terra, etc.). They represent a fusion of Brazilian folk and popular music on the one hand and the style of Johann Sebastian Bach on the other, as an attempt to freely adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music.
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#Bachianas brasileiras 5 aria midis voice series
The Bachianas Brasileiras ( Portuguese pronunciation: ) (an approximate English translation might be Bach-inspired Brazilian pieces) are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 19. JSTOR ( March 2010) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed.įind sources: "Bachianas Brasileiras" – news Please help improve this article by adding citations to reliable sources. Carol of the Bells (39k) (R.This article needs additional citations for verification.Baxa de Contrapunto (Dance in Counterpoint).Cancion del Emperador (Song of the Emperor).
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